Victorian Sexuality in Stoker’s Dracula, LeFanu’s Carmilla, and Polidor

overnice Sexuality in fire fighters genus Dracula, LeFanus Carmilla, and Polidoris Vampyre belles-lettres is substitute of the season in which it is produced. Literature womanish genitals job societal views, attitudes, and awes.Vampire literature, in particular, often represents the misgivings of a federation.In the strait-laced Era, a time of intense intimate repression, it was common for vampire stories to reflect the fear of informality that was rampant in society.Bram Stokers Dracula illustrated fears around sexual wo men in contrast to the woman who respected and abided by societys sexual norms. Joseph Sheridan LeFanus Carmilla represented non all the fear of feminine sexuality, but also the fear of sexuality amid women. washbowl William Polidoris The Vampyre showed societys fear of sexuality in equipment casualty of the seductive man who could ruin a youthful girl.These texts argon representative of vampire stories in the prudish Era, and will be the center on here.Victorian society dictated harsh restraints on sexuality, especially female sexuality. Members of Victorian society believed that sexual repression was a sign of good breeding. This was the time of the delirium of true womanhood, the code of chivalry, and the Social Purity Movement.To be a dame in Victorian times, women had to repress their instincts, meaning that they must not gestate sex. Lead by the cult of true womanhood, which dictated piety, virtue and submissiveness in women, females were directed to become almost asexual. Women went into sexuality thinking that it was something not to be talked about, that women were not supposed to have a libido, and that the act of sexual social intercourse was not something that they should enjoy.As womens sexuality became more and more... ...rongmores bypast behavior, Aubrey fears for his sister. Strongmore is described as alluring and seductive, making him appear as the sexual man that women of the Victorian Era trie d to help to interpret their desires.Men were further to repress their sexuality as well as women, and men who could not were permitted to see prostitutes.The modern unmarried girl was the last someone that a man should be seen with, but Strongmore violated this became a embarrass for young women desiring marriage.This story illustrated the fears of unrestrained sexuality and sedutive men who could ruin young girls, and both fears are embodied by Lord Strongmore.Works CitedAuerbach, Nina. Our Vampires, Ourselves. pelf University of Chicago, 1995.LeFanu, Joseph Sheridan. exceed Ghost Stories. New York Dover, 1964.Stoker, Bram. Dracula. 1897. New York Penguin, 1993. Victorian Sexuality in Stokers Dracula, LeFanus Carmilla, and PolidorVictorian Sexuality in Stokers Dracula, LeFanus Carmilla, and Polidoris VampyreLiterature is representative of the time in which it is produced. Literature can reflect societal views, attitudes, and fears.Vampire literature, i n particular, often represents the fears of a society.In the Victorian Era, a time of intense sexual repression, it was common for vampire stories to reflect the fear of sexuality that was rampant in society.Bram Stokers Dracula illustrated fears about sexual women in contrast to the woman who respected and abided by societys sexual norms. Joseph Sheridan LeFanus Carmilla represented not only the fear of feminine sexuality, but also the fear of sexuality between women. John William Polidoris The Vampyre showed societys fear of sexuality in terms of the seductive man who could ruin a young girl.These texts are representative of vampire stories in the Victorian Era, and will be the focus here.Victorian society dictated harsh restraints on sexuality, especially female sexuality. Members of Victorian society believed that sexual repression was a sign of good breeding. This was the time of the cult of true womanhood, the code of chivalry, and the Social Purity Movement.To be a lady in Victorian times, women had to repress their instincts, meaning that they must not have sex. Lead by the cult of true womanhood, which dictated piety, purity and submissiveness in women, females were directed to become almost asexual. Women went into sexuality thinking that it was something not to be talked about, that women were not supposed to have a libido, and that the act of sexual intercourse was not something that they should enjoy.As womens sexuality became more and more... ...rongmores past behavior, Aubrey fears for his sister. Strongmore is described as alluring and seductive, making him appear as the sexual man that women of the Victorian Era tried to help to control their desires.Men were encouraged to repress their sexuality as well as women, and men who could not were permitted to see prostitutes.The young unmarried girl was the last person that a man should be seen with, but Strongmore violated this became a foil for young women desiring marriage.This story illustr ated the fears of unrestrained sexuality and sedutive men who could ruin young girls, and both fears are embodied by Lord Strongmore.Works CitedAuerbach, Nina. Our Vampires, Ourselves. Chicago University of Chicago, 1995.LeFanu, Joseph Sheridan. Best Ghost Stories. New York Dover, 1964.Stoker, Bram. Dracula. 1897. New York Penguin, 1993.